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ON FREE PUBLIC VIEW 
FROM 9 A.M. UNTIL 6 P.M. 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK | 


FROM SATURDAY, JANUARY 10th, 1914 
UNTIL THE MORNING OF THE DATE OF SALE 


FURNITURE, PAINTINGS 


AND OTHER OBJECTS 


FROM AN OLD COUNTRY MANSION 
IN THE VICINITY OF NEW YORK 


TO BE SOLD 
AT UNRESTRICTED PUBLIC SALE 
AT THE AMERICAN ART GALLERIES 


ON THURSDAY AND FRIDAY AFTERNOONS 
JANUARY 15TH AND 16TH, AT 2.30 O’CLOCK 


AND ON 


FRIDAY EVENING, JANUARY: 16rxn, AT 9 O’CLOCK 


“CATALOGUE 


OF 


EMPIRE AND OTHER FURNITURE 
OLD PAINTINGS 


SILVER, BRONZES, PORCELAINS 
| NAPOLEONA 


ENGRAVINGS, AND OTHER OBJECTS 


TO BE SOLD 


AT UNRESTRICTED PUBLIC SALE 
BY ORDER OF ADMINISTRATOR 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH 


ON THE DATES HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY 
ASSISTED BY MR. OTTO BERNET, OF 


THE AMERICAN ART ASSOCIATION 


MADISON SQUARE SOUTH 


NEW YORK 
1914 


CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance 
may be rejected by the auctioneer, if, in his judgment, such bid 
would be likely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dispute 
arise between two or more bidders, the auctioneer shall either de- 
cide the same or put up for re-sale the lot so in dispute. 

3. Payment shall be made of all or such part of the purchase 
money as may be required, and the names and addresses of the 
purchasers shall be given immediately on the sale of every lot, in 
default of which the lot so purchased shall be immediately put up 
again and re-sold. 

Payment of that part of the purchase money not made at the 
time of sale shall be made within ten days thereafter, in default of 
which the undersigned may either continue to hold the lots at the 
risk of the purchaser and take such action as may be necessary 
for the enforcement of the sale, or may at public or private sale, 
and without other than this notice, re-sell the lots for the benefit 
of such purchaser, and the deficiency (if any) arising from such 
re-sale shall be a charge against such purchaser. 

4. Delivery of any purchase will be made only upon pay- 
ment of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 
A. M. and 1 P. M., and on other days—except holidays—be- 
tween the hours of 9 A. M. and\5 P. M. 

Delivery of any purchase will be made only at the American 
Art Galleries, or other place of sale, as the case may be, and 
only on presenting the bill of purchase. 

Delivery may be made, at the discretion of the Association, 
of any purchase during the session of the sale at which it was sold. 

5. Shipping, boxing or wrapping of purchases is a business 
in which the Association is in no wise engaged, and will not be 
performed by the Association for purchasers. The Association 
will, however, afford to purchasers every facility for employing at 
current and reasonable rates carriers and packers; doing so, how- 
ever, without any assumption of responsibility on its part for the 
acts and charges of the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the 
purchaser. Title passes upon the fall of the auctioneer’s hammer, 
and thereafter, while the Association will exercise due caution in 
caring for and delivering such purchase, it will not hold itself 
responsible if such purchase be lost, stolen, damaged or destroyed. 


Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. : 

7. Guarantee is not made either by the owner or the Asso- 
ciation of the correctness of the description, genuineness or au- 
thenticity of any lot, and no sale will be set aside on account of 
any incorrectness, error of cataloguing, or any imperfection not 
noted. Every lot is on public exhibition one or more days prior 
to its sale, after which it is sold “as is” and without recourse. 

The Association exercises great care to catalogue every lot 
correctly, and will give consideration to the opinion of any trust- 
worthy expert to the effect that any lot has been incorrectly 
catalogued, and, in its judgment, may either sell the lot as cata- 
logued or make mention of the opinion of such expert, who thereby 
would become responsible for such damage as might result were 
his opinion without proper foundation. 


SPECIAL NOTICE 

Buying or bidding by the Association for responsible parties 
on orders transmitted to it by mail, telegraph or telephone, will 
be faithfully attended to without charge or commission. Any 
purchase so made will be subject to the above Conditions of Sale, 
which cannot in any manner be modified. The Association, how- 
ever, in the event of making a purchase of a lot consisting of 
one or more books for a purchaser who has not, through himself 
or his agent, been present at the exhibition or sale, will permit 
such lot to be returned within ten days from the date of sale, 
and the purchase money will be returned, if the lot in any 
material manner differs from its catalogue description. 

Orders for execution by the Association should be written 
and given with such plainness as to leave no room for misunder- 
standing. Not only should the lot number be given, but also the 
title, and bids should be stated to be so much for the lot, and 
when the lot consists of one or more volumes of books or objects 
of art, the bid per volume or piece should also be stated. If the 
one transmitting the order is unknown to the Association, a de- 
posit should be sent or reference submitted. Shipping directions 
should also be given. 

Priced copies of the catalogue of any sale, or any session 
thereof, will be furnished by the Association at a reasonable 
charge. 

AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


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FIRST AFTERNOON’S SALE 
THURSDAY, JANUARY 15, 1914 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 oO’cLOCK 


ANTIQUE AND MODERN SILVER 
DUTCH, ENGLISH, FRENCH AND AMERICAN SPECIMENS 


1—Two Dotrcu Sitver Toys 


A boat of sloop type with sails set and a figure of lady 
in seventeenth century costume, which when inverted 
forms a liqueur. 


9—THree DutcH: Sinver MINIATURE CHAIRS 


One, a Colonial square style armchair with rush seat; 
one, high back with twisted frame; the other, Em- 
pire style side chair. 


3—Turee DutcH Sitver Miniature Musicau Instru- 
MENTS 


A filigree violin, a guitar and a bass viol. 


4—Two Dutcu Siuver Toys 


A miniature tazza and a tripod candlestick. 


5—Doutcu Sitver MINIATURE HARPSICHORD 


Case decorated with figures in relief. 


6—Turee Dutcu Sitver Toys 


A teakettle with fluted body, and two miniature vases, 
slightly different in pattern. 


7—Sitver Weppine BapcEe 


French production. 


S—EIGHTEENTH CENTURY SILVER SNUFFBOX 


Of oval form, engraved with garlands and panel orna- 
ment. On cover, an oval miniature under glass of a 
dancing couple and an old man standing on a tub. 
Paris mark, 1786. 


9—Two AntievE WatTcHEs 
Eighteenth century. A silver bull’s-eye pattern, 
with loose outer repoussé silver cases (mythological 
subjects) and painted dials. 


10—Dutrcu Sitrver Frower VAsE 


Small hexagonal body, decorated with pastoral 
scenes in relief. Pierced neck and beaded rim and 
foot. 


11—Dvtcu Sinver SPECTACLE CASE 


Long, narrow oval form, with cover and sides deco- 
rated with landscape views in relief. 


12—-Sirver Atconort Crear LAMP 


Urn-shaped body, decorated with wave indentation. 
Small finger grip handle and teakettle snout. Mark, 
Gorham Co. 


13—Sriver Ciear LAMP 


Of antique form, with oval ash tray in center. 


Turn-up handle, of Roman type. Tiffany & Co.’ 


14—-Turee DutcH Sirver Boxrzon DisHEs 


A set of three die-struck oval dishes, decorated with 
crimped edges and floral ornament in relief. 


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15—Duvrcn Strver Powper Box 


Eighteenth century. Repoussé floral ornament. On 
cover a group of two figures and a dog. 


16—Rwvsstan Srtver Pruayinc-carp Box 


Made to contain two packs. The outside is very care- 
fully engraved and filled with niello. The front a 
Queen of Diamonds (full-size card), the back a Nine 
of Hearts, and on the cover a group of four Eights 
and the Ace of Diamonds. <A very strong and beau- 
tifully made silver box; bears the Moscow mark, with- 
out date. 


17—Doetrcu Sirver WaceEer Cup 


Curious deep cup-shaped body, decorated with eagles 
and panels; the handle a bell-buoy cage containing a 
small sleigh-bell. On the top of handle is a small 
figure of Neptune riding a dolphin, the latter forming 
a whistle which, when blown, revolves a small wheel 
which keeps in motion while the cup is filled and — 
emptied. 

: Height, 91/4, inches. * 


18—Eic¢nTEENTH CENTURY FRENCH SitveR PowpeErR Box 


Decorated with rose panels in relief. On cover, Venus 
at the bath attended by cupids. Paris mark, 1767. 


19—Fvut-sizE Sirver SLipPeR 


French, of eighteenth century. Finely modeled and 
ornamented with repoussé figures in costumes of the 
period. Paris mark, 1757. 


20—Dututcu Sitver Boxnson DisH 


Of oval form with slanting sides, decorated with scroll 


and floral ornament and reticulated outline. 


91—FrencH SILVER JEWEL Box 


Oval form with hinged cover, sides decorated with 
rococo scroll in high relief. On cover, Triumph of 


Cupid. Inside gilt. 


22—Two SItver CANDLE EXTINGUISHERS 
In the form of miniature coaching horns. 
Length, 15 inches. 


938—SILVER MATCH-HOLDER AND SHEFFIELD CANDLESTICK 


Match-holder in form of a wall bracket with reticu- 
lated back. 


94—EneusH Siuver TortEr Powprer Box 


Chased with flower and line ornament. Late Victorian 
period. 


25—ENGLISH SILVER CIGARETTE Box 
With cedar-wood lining. ‘London letter date, 1891. 
Length, 7 inches. 


26—SILVER PAPETERIE 
Upright form, resting on small feet at corners; par- 
titions for different sized stationery. Front deco- 


rated with rococo scroll in relief. 
Height, 5 inches. 


27—Five Sitver Desx UTEnsILs 
A long, narrow pen-tray with oval ends and reticu- 
lated sides, a Dutch silver stamp box, pin-cushion; 
paper cutter, and round ash-tray. 


28—RusstIan SILVER CHILD’s Cup 
Made in form of a section of a birch log with bark 
attached and small limb bent to form the handle. 
Moscow mark, 1886. 


; 
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29—Sitver Cicar Vase and Two MarcuH-HoLprers 
The vase, round cylindrical body with wave-dentillated 
ornament; one match stand with spreading rim and 
repoussé ornament, the other of English make with 
pierced decoration. 


380—Dutcu Sitver ReEtTicuLATED VAsE FRAME 
For a glass amphoral flower vase (glass lacking). 


Height, 9 inches. 


31—Dutcn Sitver MuUFFINIER 


The body in form of a two-handled vase, decorated 


with chased floral ornament in relief. 
Height, 934, inches. 


32—EncLisH SitveR Sucar Box 
Of nearly square form, with round corner and hinged 
cover, resting on ball feet. Sides decorated with views 
of buildings, and on cover, chased in high relief, is 
an interior of/an old-time inn, with figures. Maker’s 
mark, A.K. london letter date, 1810. 
Size, 8%, by 71% by 4% inches. 


33—ANTIQUE HAMMERED SILVER BRaAZIER 

A cone-shaped cup of thin hammered sheet silver, with 
wide turnover rim, resting on three small dolphins, 
which in turn are supported by three turned ebony 
(heat-insulating) balls. These ebony balls stand upon 
a raised boss in center of a shallow saucer, which 
stands on three feet. Stamped BTON, and Strass- 
burg mark of seventeenth century. 


Height, 484, inches; diameter of saucer, 7 inches. 


34—Sitver Frower VAsE 


Beaker form, with flaring rim and round foot. Em- 
bossed twisted fluting extends from base and covers 


part of lower body. Above the fluting is a band of 


dent punch marks of acorns and Maltese crosses. 


Howard & Co. 


Height, 914 inches. 


35—AnTIQUE ENGLISH SILVER TANKARD 


Plain body, with slightly receding sides. Relief hoop 
ornament and enlarged base; dome-shaped hinged cover 
with high thumb-rest; half round handle with lower 
part curving out and terminating in a flat plate in 
form of a heart. Maker’s mark, crowned, R.G. 


London letter date, 1750. 
Height, 7 inches. 


36 


ANTIQUE SILvER Mvue 


Cylindrical body, repoussé, with rococo scroll and 
flower motif in high relief. Gilt inside. 


Height, 5 inches. . 


37—SiLver Lovine Cup 
Smooth, bright-finished kit-shaped body, hooped with 
three ribbon bands of Persian ornament. Three plain 


curved handles. Tiffany & Co. 
Height, 7 inches. 


38—EncuIsH Srtver Fuower VAsE 


Beaker-shaped body and hemi-spherical base, weighted 
with lead, the body ornamented with chased garlands 
and sunken-twist flutes. Flaring rim. Dated 1892. 


Height, 11%, inches. 


39—Pair SILVER-GILT COMPOTIERS 
Oval in form, standing on hollow oval bases. The 
center is an elaborate reversed monogram ADB under 
a ducal crown, surrounded by roses and other flowers 
conventionally treated in high relief. 
Length, 111% inches; width, 814 inches. 


Se 4 — ny 


40—Larcer Sinver Giut LAmMeERIE Cup 


An Elkington reproduction of the celebrated Lamerie 
cup preserved at Goldsmiths’ Hall, London, which is 
dated 1739. This cup and cover represent the very 
ornate type of rococo ornament of that period, con- 
sisting of satyr masks and garlands on thé lower half 
of the cup and on the cover. The cup is divided into 
two sections by a raised band; in the upper section on 
both sides there is a very elaborately mantled heraldic 


arms. 
Width across handles, 13 inches; height, 131% inches. 


41—Antievuzt DutcH Sinver Prize Cur witnH Cover 


Very ornate in form and decoration. Gothic panels 
representing cathedral windows alternating with 
naval trophies and colonial products. On the flags 
are the names of the Dutch colonial possessions. 
Large ornate handles of acanthus leaves and mermaid 
heads. The base stands on eight feet in design of 
leaves. 

' Total height, 16 inches. 


42—Sitver Ouive Disx 
Shallow oval bowl, with running scroll border and 
Egyptian leaf handles. Rests on low foot. Gorham 
Co. | 
Length, 1014 inches. 


¥ 


438—TripticaTE TaspLe SCREEN 
Used to shield an alcohol flame. Made in miniature 

of a French eighteenth century threefold fire screen. 
Plain, bright surface, with raised borders. Howard 

& Co. 
Height, 6 inches. 


44—Two SPECIMENS OF SILVER 


One is an old English silver creamer of helmet-shaped 
body, with thin, flat handle. Decorated with engraved 


floral ornament. Maker’s mark, A.B. London letter 
date, 1794. The other is a hot-milk pitcher of low 
oval body, with wide spout and perforated handle, by 
Tiffany & Co. 


45—Four EncuisH SILVER SCALLOP SHELLS 


Large-size, plain-finished shells standing on ball feet, 


engraved with lion crest. London letter date, 1872. | 


46—Oxup EncuisH SILVER ALE Tosy 


Plain spherical body, with a raised three-line band 
equator, short neck and spout, two-finger grip handle. 
Maker’s mark E.M. London letter date, 1791. 


47—Sitver Curip’s Bown ann Spoon 


The bowl is in Japanese style, with smooth surface, 
decorated with relief bamboo and figure ornament. 
Inside surface gilt. The spoon is hand-wrought, with 
applied maple leaf and copper bug ornament. ‘Tiffany 
& Co.; period, 1876. 


48—Four Dutcu Sitver Bonspon DIsHEs 


Small shallow wave-edge dishes with low bases; pierced 
rococo pattern. 


49-——_Patr SMALL SILVER COMPOTIERS 


Square form plates, with wave-edge line and embossed 
floral ornamented rims; square bases of similar design. 


Tiffany & Co.; period, 1875. 


50—Onup EnciusH Siitver Foupine Dish STAND AND 
Lampe 


Consisting of four arms socketed at center around a 
double-wick urn-shaped lamp. On each arm is an ex- 
tension foot and dish rest, that slides on the arm. 
Maker’s mark, W.P. (William Plummer). London 
letter date, 1777. 

Length, 12%, inches. 


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51—SitvErR Sucar Bown AND CREAMER 


Greek type bodies, engraved with conventional orna- 
ment. Arboreal handles, decorated with cones -and 


leaves. Tiffany & Co.; period, 1875. 


52—-Sirrver Sucar Bown anp CREAM JUG 


Low bodies; repoussé rose ornament; bamboo section 


handles. Tiffany & Co. (about 1880). 


53—SILVER AFTER-DINNER COFFEE-POT 
Plain, bright, truncated cone-shaped body, with hinged 
cover and tall narrow tube spout. Plain handle, with 


ivory insulators. Tiffany & Co.; period, 1876. 


| 54—Siiver Fruit Disu 


Shallow bowl-shaped dish, with fluted center and an 
outer rim of pierced work and garlands and fruit in 


embossed relief. 
Diameter, 9 inches. 


55—Pair Sirver Fruir Disues 
Oval side dishes to match preceding lot. 


56—Pair Sitver Girt ComPporiers 


Round tray-tops, with fluted centers, pierced rims, and 
beaded borders. Gorham Co. 


Diameter, 81, inches; height, 41% inches. 


57—SILvER Tray 
Square form, with raised repoussé rim, engraved in 


center with lion crest. Gorham Co. 
9 inches square. 


58 SirverR Breaxkrast T'RAy 


Square form, with upright reticulated rim. Four ball 
and claw fect. Howard & Co. 


Il ches square. 


59—SItver SERVICE TRAY 


Plain-finished center, surrounded by an elaborately 
pierced and relief border of rococo scroll, vine, and 


cupid heads. 


Diameter, 12 inches. 


60—Parr EncuisH Sitver Fruit Trays 


Pointed, oval bodies. Plain centers with pierced and 
embossed sides of scroll ornament in relief; narrow 
rococo rims in relief. Victorian period. 


Length, 11 inches; width, 81, inches. 


61—Siiver Froir Disa. 


Deep round shape with raised boss in center. Rests 
on a conical section foot. Small side handles with 
butterflies standing in relief. Satin-finished surface. 
Tiffany & Co.; period, 1872. 


Diameter, 91/, inches. 


62—Sintver Tray 


Square form, with rounded corners; floral ornament 
repoussé border (engraved with crest in center). 
Tiffany & Co.; period, 1875. 


10 inches square. 


63—Pair Siiver Comporiers 


Round form, with very elaborate chased floral orna- 
ment on rims and bases. Centers of plates satin 


finished. Tiffany & Co.; period, 1875. 


Diameter, 9 inches; height, 51% inches. 


64—Siiver Fruit Disu 


Large oval shape with plain center; reticulated and 
embossed sides; very elaborate scroll ornamented rim. 
Oval foot, also of pierced and embossed ornament. 


Howard & Co. 
Length, 14 inches; width, 11 inches. 


65—SILveER EPERGNE 


Shallow plate-form dish, with raised center boss and 
ornate ribbon border. Gilt inside. The stand is of 
an antique tripod form with claw feet resting on ob- 
long raised plates. Each leg is decorated with a female 
mask and other ornament in relief. Satin-finished sur- 
face. Tiffany & Co., 1874. 


Height, 13 inches. 


66—Cor1n Sinver TEA-sET 


Consisting of teapot and hot-water pot with ivory in- 
sulated handles, cream pitcher with hinged cover, sugar 
bowl with loose cover, and breakfast bowl. Decorated 

with raised dot ornament and engraved with conven- 
tional ornamental panels. Gorham Co. 


67—AmeErican SILveR TEA-sET 
Consisting of a teapot, sugar bowl with cover, and 
cream pitcher. Large-swell oval bodies with reeded 
borders. The cover knobs are grape clusters and 
leaves. Plain, bright-finished surfaces. Each piece 
engraved with a monogram E. C. entwined cipher. 


Maker’s stamp: T. Richards, New York (about 1810). 


68—AMERICAN SrILvER KeTTLe, STAND Aanp Lamp 
Plain, bright-finished body with hinged cover; deco- 
rated at top rim and foot with a twist rope; high 
hinged handle with ivory insulators; curved spout. 
The handle, spout and legs of stand decorated with 
riffle ornament in relief. Ball, Black & Co. (about 


1850). 
Height, 17 inches. 


69—Sitver Tureen 
Oval plain-finished body, with high-domed cover. 
Greek ornamental border on foot and rim. Large 
side handles. Tiffany & Co.; period, 1875. 


Length, 16%, inches; height, 12 inches. 


70—Massive Sinver PuncH-Bowit AnD LADLE 


A deep bowl with bright gilt inside. The handles are 
detachable and are finely modeled busts of Bacchus 
clothed in lion skins. Beneath the rim is a dado of 
grape clusters and leaves in applied relief. Encircling 
the bowl, where joined to base, are ribbon bands of 
Greek and beaded ornament, and groups of tam- 
bourines, with ribbons in applied relief. The base 
rests on four conventional Greek lion heads and paw 
feet. Engraved on the curved surface in ten lines 
is the following inscription: ‘‘A Testimonial to John > 
M. Furman, Pres!., by the Directors of the Farragut 
Fire Ins. Co. In token of their appreciation of his 
ability and services as an officer and of his worth as 
a man and a friend. Feby., 1875.” Tiffany & Co., 


makers. 
Diameter, 18 inches; height, 16 inches. 


OLD SHEFFIELD AND OTHER PLATED WARE 


(1—Parr THREE-LIGHT SHEFFIELD CANDELABRA | 


Massively made and of the English type of the eigh- 
teenth century; used in the West Indies. The two- 
branch arms are detachable, the candle sockets pierced 
for ventilation, and fitting into them are tall bell glass 
wind-shades. Perfect and in extra fine condition. 


Total height, 35 inches. 


(2—Extra Larce Five-ticht PLatep CANDELABRA 


The central column is made in sections, but put to- 
gether in one piece. The four massive arms are 
socketed into the column and are detachable. Large 
square-form base, standing on claw feet; very ornately 
decorated with acanthus leaf motif in high relief. 
Silver-plate on copper. 7 
Spread of arms, 26 inches; height, 33 inches. 


ell LEN So Ses Ta oe 


.78—MassiveE SHEFFIELD CrircuLaR TRAY rd 


The center chased with poppy flower and leaf orna- 
ment. High raised arm, decorated with grape clusters 
and leaves in relief. Stands on four rococo scroll feet. 


Diameter, 241%, inches. 


74—Pratep Warrer 


Oval form with end handles, standing on four feet. 
Raised wave-edge rim, decorated with roses in relief. 
Center chased with scroll and floral ornament. 


Length, 281%, inches. 


{5—PuatTep TEA SERVICE WAITER 


Oval upright reticulated metal rim, with hand grips 
in ends. Polished oak bottom, standing on ball feet. 


Gorham Co. 
Oval, 22 by 16% inches. 


T6—SHEFFIELD TUREEN 


Massive oval urn-shaped body, with side handles and 
high domed cover.. Decorated with floral rococo orna- 
ment in high relief. Stands on four short solid feet. 


Silver-plate on copper. 
Length, 16 inches; height, 12 inches. 


- 77—SuHEFFIELD PuNcH-BOowL 


A deep fluted side bowl, suitable for ice, salad, or 
- punch; the rim decorated with a rococo border, with 
Bacchus heads. Silver-plate on copper. 


Diameter, 11°4 inches; height, 8 inches. 


(8—Pair SHEFFIELD WINE COOLERS 
Urn-shaped bodies, with side handles; decorated with 
conventional floral and reeded ornament applied in 


bands. Silver-plate on copper. 
Height, 91 inches. 


19—Pair Encuisu PLatrep THREE-LIGHT CANDELABRA | 
Style of George IV period, with square bases and 
slender columns; detachable two-branch arms. Elk- 


ington & Co., makers. 
Height, 1914 inches. 


80—Puatep Rounp SALVER 
Plain-finished, with wave-edge reeded border and en- 


graved crest. 
Diameter, 21 inches. 


81—Puatep WAITER 
Oval form with attached end handles; flat engine 
turned center; Greek ornament and beaded border. 
Length, 25 inches. 


82— ANTIQUE SHEFFIELD WINE CRUET 
Trefoil frame with diamond cross-bar reticulated sides ; 
decorated with grape cluster and leaves in applied 
ornament; standing on three feet of similar orna- 
ment. Center handle a twisted grapevine, with grape 
clusters and leaves attached. Fitted with three quart 


cut-glass bottles with stoppers. 
Height, 17 inches. 


83—SHEFFIELD WINE COOLER 
Vase-shaped body, bright-finished surface, four orna- 
mental feet; movable top rim, decorated in relief 
with conventional flower and leaf ornament. Silver- 


plate on copper. 
Height, 81, inches. 


84—Pair Banquet CANDLESTICKS 
With massive large bases; engraved with a crest. Tif- 


fany & Co. electro-plate. 
Height, 141% inches. 


85—EnewisH Hor-water Disu 
Rococo border in relief. High dome cover, the knob 
handle in design of a group of vegetables. Silver- 
_ plate on copper. 


Diameter, 13 inches. 


S6—SHEFFIELD Piatep Tray 


Round form, standing on three feet; high raised ro- 
coco border; center chased with floral outline orna- 


ment. Electro-plate on nickel. 
Diameter, 17 inches. 


87—SILVER-PLATED Hawnap 


Standing on a wide base. Slender, fluted stem and 
large cylindrical cup, with cover that fits over the 
top edge of the cup. The cup is embossed with elon- 
gated bosses and acanthus ornament in alternate 
panels. The top of cover is a flattened sphere and 
has a stained ivory knob representing a pineapple. 


Electro-plate on copper. 
| Height, 24 inches. 


88—Parr Russian Piatep FLower Vases 
Beaker form, with straight rim, standing in inverted 
saucer-shaped bases, repoussé in high relief, with 
flower and’ leaf ornament. Plated on copper. 
Height, 17 inches. 


S9—SHEFFIELD Roast-BEEF PLATTER 


Deep oval dish, with raised reeded border. Applied 
to rim, a half-round silver shield on which are en- 


graved two heraldic bird crests. 
Oval, 21 by 1634 inches. 


90—Puatep Meat Puatrer 


Deep oval shape, with wave edge and reeded border. 
Tiffany & Co. electro-plate. 
Oval, 1814 by 131% inches. 


91—Pair Piatrep CHuop DisHEs 
Deep round shape, decorated with a raised four-corded 
border. Engraved with lion crest. Tiffany & Co. 


Diameter, 13 inches. 


92—Ex.xtncron REepropuctTion OF THE WarRDALLES ROsE- 
WATER Ewer 

The body divided by a raised band. In upper section 
is engraved an elaborate heraldic arms, inscribed on 
ribbon: “Gift of Thomas Wardalles, Master, AN® 
1864." Lower section is hemispherical and decorated 
with the ‘‘cut card” ornament of the period. Small 
spout; large high handle and round foot.  Silver- 
plated on copper. } 


Se. 125 a 


Height, 11% inches. 


93—SHEFFIELD CakE BASKET 
Round form body, with leaf and scroll rim in relief. 
Folding or bale handle, decorated with leaf and shell 
ornament in relief. Engraved in center with elab- 


orate heraldic arms. 
Diameter, 12 inches. 


94—PrLatTrEeD CHAFING-DISH SET 
Consisting of the chafing dish with carved ebony 
handle. Hot-water dish, and high stand with three- 
burner alcohol lamp.. Gorham Co. (One extinguisher 


lacking. ) 
Height, 9 inches. 


95—Pair or THREE-LIGHT CANDELABRA 


The bases and central columns of solid castings (can 
be used as candlesticks); the two arm branches de- 
tachable. A small flame ornament fits in center socket. 


Height, 22 inches. 


+ 


96—Set or Six Baneurt CANDLESTICKS 


Heavy solid bell-metal castings. Silver-plated. Bases 
and central columns in one piece, decorated with 
acanthus-leaf ornament of the style of Louis XVI, 


in high relief. 
Height, 10 inches. 


97—Pratep Erercne 


Oval metal frame of openwork, consisting of garlands, 
with a Greek border of comedy masks. The body 
rests on four feet. End handles, terminating in 
winged dragons. Contains original blue glass lining. 

Oval, 13 by 7 inches. 


Q8—SHEFFIELD WINE COOLER 


Etruscan urn-shaped body, with small side handles. 
Lower part of body melon-fluted; upper part plain, 
with reeded rim. Movable top cover. Silver-plated 


on copper. ) 
Height, 8 inches. 


~99—Parr PLATED wee DisHEsS 


Deep oval shape, with wave-edge reeded border. En- 
graved with lion crest and motto. . Tiffany & Co. 


electro-plate. 
Oval, 16 by 111% inches. 


100—SuHeErFrietp Meat Disu 


Oval deep shape, with reeded border and plain sur- 
face. Stamped Mappin, Webb & Co. 
Length, 16 inches; width, 12%, inches. 


101—Puatep Cuor Disu 


Deep round shape, with reeded wave-edge border. 


Tiffany & Co. electro-plate. 


Diameter, 14 inches. 


102—Turee Puatep Fern DisoH FRAMES 


With reticulated sides. Two have wood bottoms; the 


other, a rim to set a dish inside. 
Diameter, 81, inches. 


103—Set or Four Puatep Banevet CANDLESTICKS 


Decorated with scroll and leaf motif, style of Louis 


XVI. Tiffany & Co. electro-plate. 
Height, 10 inches. 


104—-SHEFFIELD SourFLeE DisH, STtanp anp Lamp 


Stand of heavy round wire, with four claw feet. Small 


cup-shaped alcohol lamp. | 
Height, 9 inches. 


105—SHEFFIELD Brazier 
Consisting of an oval fire-holder, standing on four 
wooden ball feet. The inside has raised partitions to 
give draft to the burning charcoal. End _ handles. 


Silver-plate on copper. 
Length, 13 inches. 


106—Pair SHEFFIELD PLATED VEGETABLE DisHES 


Deep oval shape, plated on copper. Corded border 


and plain finish. 
Oval, 12 by 8 inches. 


107—Parr Sitver Entree DiIsHEs 


Oval bodies and cover; handles detachable. Tiffany 
& Co. 


108—Pair Piatep FLowerR Vases 
Amphora-shape. Bodies decorated with conventional 
palm-tree panels, alternating with elongated boss 


ornament in relief. 
Height, 94 inches. 


. Ss 


109—Puatep FLrower Vase 
Beaker-shaped body, flaring rim and round foot, deco- 
rated with conventional flower ornament in relief. 


Silver-plate on copper. 
Height, 121%, inches. 


110—Parr Fovur-ticut Gitt CANDELABRA 
Very ornate bases and central columns. The branches 
are curved. Detachable center can be used for single 


candles. Gorham Co. 
Height, 13 inches. 


111—Pair Smatt Gitt Four-Licht CANDELABRA 


Base, central column and the three curved arms cast 
in one piece. Rococo scroll ornamentation in high 
relief. Detachable bobéches. Gorham Co. 


Height, 81% inches. 


112—Pairr Piatep Service Trays 
Oval form, with chased ornament on flat surface. 
Raised rococo borders. Sheffield silver-plate on nickel. 
5 Oval, 16 by 13 inches. 
113—Puatep Breap Tray ) 
Oval reticulated spreading metal rim, enclosing a 
bird’s-eye maplewood bottom. Gorham Co. 
Oval, 12% by 7 inches. 


114—SHEFFIELD Service Tray 
Round form, standing on three feet; narrow beaded 


border. Silver-plate on copper. 
Diameter, 14 inches. 


115—Puatep Service Tray 
Round form, on three feet; center chased with straw- 
berry leaves and fruit; raised rococo border applied 


to rim. Silver-plate on copper. 
Diameter, 12 inches. 


116—De tui Sitver-pLaTeD Ewer Tray 
Hammered brass tray, with wide flange and scalloped 
rim. Surface chased with conventional human figure, 


animal and floral ornament. 
Diameter, 1534 inches. 


117—Pair Pruaten Fruit Disues 


Oval form, with reticulated sides; bright-finish plain 
surface. Gorham Co. 


Oval, 10 by 6% inches. 


118—Oup SHEFFIELD Fruit Basket 


Round form. Body constructed of folded wire; fluted 


rim, twisted-rope bale handle. | 
Diameter, 9 inches. 


119—Puatep Two-HANDLE STANDING Cup 
Of antique form, with projecting Egyptian leaf orna- 
ment at rim; handles decorated with lion heads; short 


stem and wide foot. Gorham Co. 
Height, 91% inches. 


120—Puatep Cracker Box 
Cylindrical body, engraved with fern-leaf ornament. 
Height, 8 inches. 


121—Puatep AFTER-DINNER COFFEE-POT 
Oval fluted body, with a narrow half-round spout and 
hinged cover with ebony top. Carved ebony handle. 
Tiffany & Co. 
Height, 81%, inches. 


122—-PLaTED AFTER-DINNER COFFEE-POT 
Plain cylindrical body; tall curved spout; ivory insu- 


lated handle. Gorham Co. 


Height, 8 inches. 


ee ee ee ee eee ee ee 


123—P.LatTeD COFrFEE-POT 
Oval body, decorated with shield and dentilated orna- 
ment. Carved ebony handle. Gorham Co.; dated 1888. 
: Height, 81%, inches. 


124—Parr Biscuir PLates 


Round form, with reticulated borders and reeded edges. 
Gorham Co. 


Diameter, 8 inches. 


125—Parr Tart PLatep CANDLESTICKS 


Colonial style. Large flat bases; slender columns, with 


fluted sides and detachable bobéches. 
Height, 11 inches. 


126—Puatep CaNDLESTICK 
Round wave-edge base, with rococo decorated column 
in high relief. Gorham Co.; dated 1888. 
Height, 101% inches. 


127—Puatep TEA-sET 
Consisting of teapot with hinged cover and ebony 
handle, sugar bowl, cream pitcher and breakfast bowl. 
Engraved with floral garlands. Gorham Co. 


5 pieces. 


128—Two SHEFFIELD Trays 


One round, with reeded edge; the other, with scalloped- 
shell border and three ball feet. 


Diameter, 8 inches. 


129—Two Carp Trays ; 
One, a Sheffield small round tray on three feet, with 
raised border of rococo and shell ornament; the other, 
of silver, with wave edge and reeded border. 


Diameter, 7 inches. 


1380—S1x Puatep Botrrie STAanps 


Reeded borders and satin-finished surfaces. Gorham 
Co. 


131—Puatep Gravy Boat 


Deep oval body, with fluted sides, beaded handle and 


fluted border. Tiffany & Co. 
Length, 7 inches. 


132—Pair Puiatep Gravy Boats 
Oval plain bodies, standing on tripod feet. 
Length, 634, inches. 


1383—Patr Puatep Gravy Boats 


Low, wide oval bodies, resting on four feet and with 
reeded borders. Gorham Co.; dated 1891. 
Length, 734 inches. 


134—Parr Puatep Bonson DIsHES 


Gilded shallow round-form bowls, with reticulated 


sides. Gorham Co. 
Diameter, 6 inches. 


185—Two Puatep Toast Racks 


Plain wire frames. Tiffany & Co. 


186—ELEvEeN PLATED ScaLLore SHELLS 


Solidly made small shells standing on three feet, en- 
graved with crest. Tiffany & Co. 


187—Pair SHEFFIELD COASTERS 


Round gilt frames, with reticulated sides; turned 


wooden bottoms. 
Diameter, 54 inches. 


138—Parr Oup SHEFFIELD CHAMBER CANDLESTICKS 
With oval weighted bases and plain columns. 


Height, 6 inches. 


SS ee TS eee Sle eee - —— as 


189—Parr Puatep CHAMBER CANDLESTICKS 


Empire style. Square bases, round columns, drapery 
and tassel decoration. Gorham Co. 
Height, 6 inches. 


140—Pair SHEFFIELD COASTERS 


Reticulated in diamond cross-bar pattern; scroll edge; 


turned wood bottoms. 
Diameter, 6 inches. 


141—Puatrep Sucar Bown 


Oval fluted body and cover with small end handles. 


Tiffany & Co. 
Height, 41%, inches. 


142—SHEFFIELD PLATED TEA-cADDY 


Empire style. Jar shape, decorated with garlands in 
relief. 
Height, 5 inches. 


143—Two Pratep Musrarp Ports 


One, surface cup with side handle and hinged cover; 
the other, with cut glass body and handle. | 


144—Fovur SHEFFIELD COASTERS 


Heavy fluted frames, reed and _ scallop-shell rims; 
wood bottoms. 


145—SHEFFIELD PLATED INKSTAND 


An oblong tray with rack, holding two cut-glass 


bottles. 
; Length, 94 inches. 


146—Gatvano-pLastic Box 
Silver-plated copper box, resting on ball feet; sides 
chased, and on cover in high relief a group of cupids 
fishing. 
Length, 7%4 inches. 


147—GaLvaAno-PLaAstTic Box 


Silver-plated round corner oblong box with hinged 
cover; sides and top decorated with festive scenes in 


relief, 
Length, 10 inches. 


TABLE SILVER AND PLATED WARE 


148—Fovur InpivinvayL Sitver Butrrer PLATtTEs 


Square form, with round corners; repoussé rose-pat- 
tern borders. Tiffany & Co. 


149—Parr Sitver PEPPERS 


Slender cone-shaped bodies with round bases. 


150—Seven Doutcu Sitver LieuEuR Cups 


Frames decorated with pierced work and repoussé 


landscape ornament in low relief; fitted with plain . 


cylindrical glasses. 


151—NineE Dutrcu Sinver LievEur Cup FRAMES 


Similar to the preceding lot, without the glass cups. 


152—Parr Dutcu Lieveur BoTTLEs 


The bottles and corks incrusted with silver. Chased 


in low relief. 
Height, 734 inches. 


153—Srx Sirver Lievevur CuPrs 


Decorated with wave-crest twist. Guilt inside. 


154—Two Frencnu Sitver TAasrteE SAtt STANDS 


Urn-shaped oval fluted bodies, with solid feet; inside 
gilt. Period of Louis Philippe. 


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155—Pair Sitrver Taser Sats 


Frames and glass of similar pattern to preceding lot, 
but round in shape. 


156—Fovur Sitver Taste Saut Sranps 


Small oval pierced frames, resting on six feet, con- 
taining rose-color glass salt-holders. Howard & Co. 


157—Two Dutrcu Sitver Sucar BAsKetTs 


Oval form, reticulated in straight-line gratings. Twist- 
rope border and bale handles. 


158—Outp Eneuisu Sitrver Perrer Box 


Vase-shaped body. Decorated with repoussé flower. 
ornament. Maker’s mark, R. P. (Robert Piercy). 
London, 1771. 


159—Oup Enecuisu Sitver Perper Box 


Vase-shaped body, ornamented with low-relief flower 
repoussé decoration. London letter date, 1756. 


160—Two Strver Taste Sart StTanps 


Oblong reticulated frames, standing on four feet. Gor- 
ham Co. 


161—T'wo Dutcu Sritver Cream PITCHERS 


One decorated with landscapes in panels, the other 
with children and scroll ornament in relief. 


162—Sitver Bonzson Dtsu 


Decorated with doves and garlands in relief. Blue 
glass lining. 


163—Oup EnceuisH Sitver Musrarp Por 


Reticulated sides, with side handle and flat-top hinged 
cover. Original blue glass lining. Maker’s mark, 


P. E. London letter date, 1776. 


164—SiLvVER PorRRINGER 
Shows the hammer marks after the manner of antique 
Japanese metal-work. Tiffany & Co.; period, 1876. 


165—Cut Guass Humipor 
Hexagonal straight-side cut-glass jar, with silver 
cover. 


166—Two Antique Sitver Soup Lapies 
Large plain bowl, with scallop-shell embossed fiddle- 
back long handle. Maker’s stamp, PENFIELD. 


167—Sitver Saad SERVICE 
Handles of Persian pattern. Tiffany & Co. 


168—ANTIQUE SALAD SERVICE 
Hollow embossed silver handles, with carved ivory fork 
and spoon. Handles engraved with a crest. Dutch, 
about 1840. - 


169—Two Opp Sitver Pieces 
Small silver bowl punch ladle, with an English shilling 
of George III, dated 1787, inserted in bowl. Long, 
slender, twisted whalebone handle. Salad spoon with 
fluted silver bowl, and carved ebony handle. 


170—Sinver AnD ENAMEL TEA-STRAINER 
Interstices filled with tr ansparent colored enaiele: 


171—Cappy-sPoon 
Pierced and filled in with colored transparent enamels. 


172—F ive Sirver AposTLE Spoons 
With small oval bowls and slender crudely cast handles. 


4 


173—-Four Durcu Sitver Cappy-spooxs 
With deep oval fluted bowls and short handles; one 
gilt. 


174—F ive Porripce Sroons 


Of Dutch and German origin, with large oval bowls 
and decorated handles, each of a different pattern. 


175—MisceELLANEovus Lor SmALL SILVER 


Consisting of child’s knife, fork and spoon, butter 
knife, and three sugar-tongs. 


176—MisceELLANeEous Lor or SILvER 


Sugar sifter, bonbon scoop, three nut-picks and an- 
tique English sugar-tongs. 


177—MisceELLANeEous Lot or SILver 


Pair gravy ladles, two sugar sifters and sugar spoon. 


178—Two GrRaPrE Beeons 


One, plated gilt, with ornamental handles, Tiffany & 
Co.; the other, with straight handles, Gorham Co. 


179—Misce_taneous Lor 
Extra long-handle claret-cup spoon; pair Sheffield 
whipped-cream spoons. 


180—Nine Fancy Sitver Sat SPoons 


Silver-gilt European spoons of various patterns. 


181—Lor AFrTrEeR-DINNER COFFEE-SPOONS 
Five of silver, with oval gilt bowls and embossed flower 
handles, one silver spoon with filigree handle, and five 
plain electro-plated spoons. : 


182—Lortr Sait Spoons 


Eight with gilt bowls and four of electro- ate en- 
graved with crest. Tiffany & Co. 


183—TwetLve Srtver Oyster Forks 
Two-tine Persian pattern. Tiffany & Co. 


184—TweLtve Sitver LEMONADE Spoons 


With perforated round bowls, and slender long tube 
handles. Tiffany & Co. 


185—SinveER IcE-cREAM SERVICE 


Consisting of serving knife and twelve spoons, chased 
handles and satin-finished bowls. Antique engraved 
_ pattern. Tiffany & Co. 


186—SitvEer IcE-cREAM SERVICE 


Consisting of serving knife and twelve spoons, leaf- 
shape bowls, hollow handles, copies of antique Japanese 
knife handles, with applied ornament, each different, 
in gold, silver and colored metals. 


187—ELeEveN SILVER COFFEE-SPOONS 


Large-size coffee-spoons with gilt bowls and Japanese 


bird-pattern handles. Tiffany & Co. 


188—ELeven Sivver Fruit Knives 


With slender pointed blades, each chased with different 
ornament. Japanese pattern handles. Tiffany & Co. 


189—Sinver Cream LADLE 


Gilt bowl, with slender Japanese pattern handle. 
Tiffany & Co. 


190—Sinver Cake KNIFE 


Wide flat blade with saw-tooth back, engraved with 
figure of a Greek warrior and conventional ornament. 


Tiffany & Co.; period, 1870. 


191—Ser Sitver Servine Spoons 


Consisting of salad fork and spoon, pie knife, berry 
scoop and sugar sifter. Japanese pattern handles. 
Tiffany & Co. 


192—Sitver TasiLe SERVICE 
Consisting of a large long-handled gravy spoon, ice- 
cream knife, vegetable fork, pie knife, waffle server 
and crumb knife. The handles are of the ‘‘antique en- 
graved” pattern and only made to order. Tiffany & 
Co.: period, 1876. 


193—Twewtve Puan Larcer-size Forks 


Silver-plated. 


194—Tirrany’s Recent Parrern TaspLEwaRe 

Plated on hard metal consisting of soup ladle, gravy 
ladle, large serving spoon, twelve coffee spoons, four- 
teen dessert spoons, fourteen table spoons, eighteen 
oyster forks, six orange spoons, four salt spoons, one 
mustard spoon, forty-two table forks, twenty dessert 
forks, twenty-two dessert knives and thirty-two dinner 
knives. 


195—Goruam’s Kine’s Parrern TaBpLewareE 
Plated on hard metal, consisting of thirty-six tea- 
spoons, thirty coffee-spoons, fifty-five dessert spoons, 
forty-one table forks, sixty-seven dessert forks, thirty- 
six oyster forks, seventeen dessert knives, thirty-seven 
flat-handle fruit knives and twenty-three dinner knives. 
All engraved with monogram. 


196—GoruaAm’s Kine’s Parrern TapLeware 
Plated on hard metal, consisting of twelve table spoons, 
seventeen dessert spoons, twenty dessert forks and 
fifty-six table forks—all engraved with a crest. 


SECOND AFTERNOON’S SALE 


FRIDAY, JANUARY 16, 1914 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 oO’cLOCK 


NAPOLEONA 


197—SMALL STATUETTE OF NAPOLEON 


A standing figure in iron on a quadrangle pedestal. 
First Empire period. 


Height, 5% inches. 


198—Napotron, His:Consort AND THE DavPuin 
Three statuettes, finely modeled in gilt bronze, on 
‘quadrangular bases of bronze, finished with an antique 
green patina and applied ornament of an eagle in gilt 
ormolu. First Empire period. 
Respective heights, 4144, 5 and 51% inches. 


199—Bronze Bust or NAapoLEeon 
In general’s uniform, mounted on a Sienna marble shaft 


with bronze moldings. First Empire period. 
Height, 12 inches. 


200—Bronze STATUETTE OF NAPOLEON 
Standing figure on a rose antico marble base. First 


Empire period. 
Height, 13 inches. 


201—Emprre Bronze STATUETTE OF NAPOLEON 


Standing figure without hat. Signed, A. Barre. Pink 
marble base. 
Height, 15 inches. 


902—Larce First Emprre Vase 


French. Green glaze, with painted panels of “Na- 
poleon and his Generals,’ and bust-portrait of ‘“Na- 
poleon.”” Signed “Maglin.” Gilt scroll handles. 


Height, 20 inches. 


203—Larce Empire VAsE 
Urn-shaped, with loop handles terminating in masks. 
White glaze, decorated with a portrait of Napoleon 
in regal robes and an imperial coat-of-arms; framed 
in gilt. 
Height, 171%, inches. 
204—Emrire Covered VASE 


Coated with a green glaze, with two panels in reserve 
on which are portraits of Napoleon and Josephine. 


Gilt scroll handles and ormolu base. 
Height, 17 inches. 


205—CoLoreED PRINT 
Napoleon. After David. Guilt frame. - 


206—ENGRAVING 


Napoleon in coronation robes. Gilt frame. 


207—Two Encravines 
“Napoleon” and “Josephine.” After Isabey. Gilt 


frames. 


208—ETCcHING 
Napoleon. After Paul Delaroche. White and gilt 


frame. 


209—ETcHINnG 


Napoleon. By Jules Francois. After Paul Delaroche. 
Gilt frame. | 


210—Co.uorep PRINT 


Napoleon. By Richomone. After Gerard. Gilt 
frame of the period. 


211—Conorep Print 


Napoleon. By Rinaldi. After Lambert. Gilt frame 
of the period. 


212—Co.xorEep Print 
Napoleon. By F. Bartolozzi. After Appian. Gilt 


frame. 


213—Two Op Cotorep Priyts 
Napoleon on horseback. Gilt frames of the period. 


214—-Pen anp Ink Drawinc 


Napoleon. Gilt frame. 


215—Two PHoToGRAPHS 


Napoleon. Gilt frames. 


216—Cotorep Print 
Martha Washington. Gilt, oval frame. 


CERAMICS, EMPIRE BRONZES, CLOCKS AND 
MISCELLANEOUS OBJECTS 


217—Turee Drespen FIcuRINES 


Representing dancers and a flute player. 
Height, 4 inches. 


918—Pair oF DreEspEN FIGURINES 


German. Courtier and lady. Mark, crossed swords. 
Height, 41% inches. 


219—Patir or DrespeEN FIcuRINEsS 


“Ballet Dancers.” . 
Height, 4 inches. 


290—Pair or DrespEN STATUETTES 


Monkey musicians. 
Height, 51%, inches. 


221—Drespen FIGurine 


Courtier with rose. (Repaired.) 
Height, 6 inches. 


222—Par or Drespen FicurineEs 
Flower seller and lady with cup. Mark, crossed 
swords. 


DRESDEN GROUP 
“'The Lovers.” 


223 


Height, 5 inches. 


224—DrEsDEN GROUP 
Nude boy with birds and cage. Mark, crossed swords. 
Height, 5 inches. 


295—DrEsDEN GROUP 


German. “The Maid and the Man.” 
Height, 7 inches. 


226—Two PorceLtaIn ORNAMENTS 
A box, miniature violin and small table, the top deco- 
rated with a pastoral subject. Mark on the latter, 
crossed swords. 


Height, 51% inches. 


2297—FrencH PorcCELAIN SNUFFBOX 


Shell-shaped. Floral decoration. Gilt mounting. 
Mark, crossed arrows. 
Diameter, 234, inches. 


2298—DrespEN SNUFFBOX 


Quatrefoil-shaped. Decoration in colors and gilding, 
‘of figures, gardens and landscapes. Mark, crossed 
swords. 

Length, 314 inches. 


229—DreEsDEN SNUFFBOX 
Rectangular, with hinged lid. Decoration of hunting 
subjects. Mark, crossed swords. 
Length, 3 inches; width, 24, inches. 


230—Oxip DrespEN SNUFFBOX 
Rectangular, with hinged lid. Gilt metal mounting, 
with bridge, castles and street scenes in brown tones; 
border of fish-scale designs in pink. Mark, a crown. 
: Length, 314, inches; width, 21%, inches. 


231—Oup DrespEN SNUFFBOX 
Rectangular with hinged lid and gilt lined. The ld 
decorated with a Teniers subject, and the sides with 
landscapes and river views. Mark, crossed swords. 


Length, 3% inches; width, 23/4 inches. 


232—Oxip DrespEN SNUFFBOX 
Rectangular, with hinged lid. The outer surface deco- 
rated with landscapes, castles and river scenes. The 
inside of the lid has a decoration of a lady and gentle- 
man and pet dog. 


Length, 314 inches; width, 2°, inches. 


933—FrRENcH PoRCELAIN CANDLESTICK 


Figure of a young woman beside a tree trunk. The 


trunk and base entwined with roses. (Repaired.) 
Height, 10%, inches. 


234—Parr or Drespen CANDLESTICKS . 
Nude and half-draped figures at the base. Tinted with 
pink and gilded. (Damaged.) 

Height, 11% inches. 


235—BoTTLE-sHAPED VASE 
With two gilt handles. Floral decoration on a cream- 
white ground. Blue band about the neck and foot on 
which are flowers in color and gilding. 
Height. 12% inches. 


236—Louvis QuinzE Crock 
Decorated with landscapes, flowers and scrolls in colors 


and gilding. 
Height, 13 inches. 


93—JAPANESE BOTTLE-SHAPED VASE 


Cloisonné on Kioto faience. Reserve panels decorated 


with butterflies and insects. 
Height, 12%, inches. 


238—DreEspEN JEWEL Box 
Oblong, with hinged lid. Decorated with pastoral 


subjects and gilding. 
Length, 13 inches; width, 81%, inches. 


239—Pair or Empire VASES 
Royal blue glaze, with bands of flowers, swans, vases 
and scrolls in gilt. Two gilt, scroll handles. (One 
repaired. ) 
Height, 11 inches. 


ee 


240—Pair or Drespen Vases 


Clear white porcelain. ‘Twisted loop handles of ser- 
pent design. Painted decoration of hunting and 
equestrian subjects. Gilding and tinting. Mark, 


crossed swords. 
Height, 19 inches. 


241—Par or Tati Empire Vases 
Ovoid shape, with painted decoration of ‘Cupid in 
Duress,” flowers and other subjects. Winged snake 
handles, which are gilded, as are the neck and base. 


(One damaged.) 
Height, 28 inches. 


242-_L.ARGE JAPANESE VASE 


Decoration of storks, birds, bamboo and _ flowering 


trees in blue on a white ground. 
; Height, 37 inches. 


243—LarcEe JAPANESE VASE 


Storks, Howo birds, trees and scepter heads in blue 


on a white ground. 
Height, 43 inches. 


944—MINIATURE TORCHERE 


Empire. ‘The standard and base are of cut glass. 


Gilt ormolu mounts. 
Height, 8 inches. 


2945—Parr or First Empire Guass VASES 


Oviform, with square bases and flaring mouths. (One 
damaged. ) 
Height, 11 inches. 


246—EmPIRE INKSTAND 


Circular base of burl walnut, in which are set inkwells, 
sandbox and shaker. Guilt ormolu mounts and paw 
feet. 


Diameter, 7 inches. 


Q947—Framep MINIATURE 
“Marie Antoinette.” Signed Doiebeau? 


248—Four Framep MINIATURES 


‘Marie Stuart,” ‘Marie Antoinette,” ‘“‘Mrs. Robin- 
son” and “Louis XIV.” 


249—MiniaTurRE CLock 
Figure support of metal on a circular base, in which 
are set circular enamel panels, painted with classical 
subjects, as is the back and interior of the case. Works 

by Le Roy, Paris. 
Height, 7%, inches. 


250—Muiniature Tasir Crock 
Easel frame of gilt and pierced brass. Silvered dial. 
Height, 6 inches. 


951—JAPANESE PEwTeR Tra JAR 


Carved decoration in low relief of dragon and waves. 
The top has been bored and a lamp-well inserted. 


Height, 121% inches. 


952-Four Mirrors 


Pierced frames of brass. 
Height, 22 inches; width, 16 inches. 


253—BELL-SHAPED CLOCK 
Case of cast brass, decorated with figures, scrolls and 


angels in low relief casting. Bands of inscriptions. 
By Howard and Co., Paris and New York. 


Height, 13 inches. 


954—Fovur Empire CANDLESTICKS 


Gilt ormolu. ‘Twisted column design with chiseled 


ornamentation. Circular bases. 
Height, 13 inches. 


. 


255—Four CANDELABRA : 
Match the preceding. ‘lwo for three candles and two 


for four. 
Height, 18 inches. 


256—Pair oF Empire Coverep Urns 
Brass, on white marble bases. Openwork covers, sur- 


mounted by leaves and tufts. 
Height, 16 inches. 


257—Parr or Empme Canpenapra 
Gilt ormolu. For four candles. Fluted column sup- 


ports, with chiseled ornamentation. 
Height, 19 inches. 


- 


— 258—Pair or Empire CANDELABRA 

Gilt ormolu, for three lights and a central ornament 
terminating in a basket of fruit. Chiseled and applied 
ornamentation. ‘The bases are triangular and rest on 


paw feet, below winged lion-heads. 
Height, 201% inches. 


259—Parr or Gitt ORMoLU CANDELABRA 
First Empire. By Thomire. Three female figures in 
classic draperies, placed back to back, uphold torchére- 
shaped. candle brackets. The round pedestal bases 
are decorated with cupids and festoons of blossoms. 
Signed, Thomire, Paris, on the round base. 
Height, 181%, inches. 


260—EmpireE CENTERPIECE 
Cut-glass bowl and base. The supports are of classic 
figures in gilt ormolu, which rest on glass bases. Three 


paw feet. . 
Height, 17%, inches. 


261—Pair or Empire Frvir DisHes 
Gilt ormolu. Six candle brackets rise from an oblong 
basket which is lined with ruby glass. The supports 
are two cupids holding wreaths. Oblong base resting 


on four winged paw feet. 
Height, 18 inches. 


262—Parr or Empire Bronze CANDELABRA 


For four candles. The fluted column supports rise 
from three legs terminating in paw feet, and are deco- 
rated with acanthus leaves and ormolu bands. Trian- 


gular bosses. 
Height, 22 inches. 


263—Par or Girt Merat CAanpELABRA 
Old French. For six candles. The scroll-shaped 
brackets are upheld by nude figures of children. 
Shaped bases with an applied decoration of grapes and 


vines. 
Height, 24 inches. 


264—Parr oF Empire CANDELABRA 
Five candle brackets of gilt ormolu are upheld by 
kneeling winged figures of green bronze. Rose antico 


marble bases mounted with ormolu. 
Height, 26 inches. 


265—Turee Empire Girt Ormotv Tazzas 
Wide-spreading, shallow bowls, with column supports 
decorated with acanthus leaves and palmettes. ‘Three 
paw feet on triangular bases. 


Height, 16 inches; diameter, 10 inches. 


266—Parr or Gitt Ormotvu EmpirE CANDELABRA 


The square bases are topped by globes, on which stand 
classic figures, which in turn support the five cornu- 


copia-shaped candle brackets. 3 
Height, 36 inches. 


267—Larce Ormoivu anp Girt Taste Piareau 
Empire period. The rail is of grapes and leaves, 
chiseled and pierced; with a band of blossoms below. 
Three winged lion feet. 


Diameter, 281/, inches. 


268—Pair or Cast Brass APpPiieuks 
Louis Quinze. Leaf scroll design. For two candles 
each. 
Height, 17 inches. 


269—Pair oF Empire Watt Licuts 
Green bronze and gilt ormolu. Lamp-shaped, with five 
candle-holders, joined to the central portion by mask 
ornaments. 


270—Niné Wuite Merat Apruiiavuks 
Louis Quinze style. Scroll and leaf design for two 


candles each. 
Height, 131% inches. 


271—Pair oF Gitt Brass Appriauks 
Empire design. The central section in the form of a 
quiver of arrows. ‘Two scroll brackets fitted for gas. 
Height, 17 inches. 


272—Four Girt Brass AppiiquEs 
Seven candle-holders, from which hang festoons of 
crystal glass beads. The horizontal section terminates 
in vase, from which rises a flame-shaped ornament. 
Height, 2014 inches. 


273—Pair oF Orv Brass Hart Lanterns 
Octagonal, with frosted glass panels and leaf bases. 
The brackets for hanging are of a later date. Fitted 


for gas. 
Height, 27 inches. 


24%4—Oxup Priatep CHancet Lamp 


Italian Renaissance design. Repoussé ornamentation 
of cartouche, scrolls and shells, and has chains and 


canopy. 
Height of lamp, 19 inches. 


27Y5—AnTIQUE FRENCH CLOCK 


The circular case is of brass and surmounted by a 
cupid. White marble supports, with applied orna- 
mentation of caryatids, flowers and blossoms in 
ormolu, and surmounted by seated figures of children 
in bronze. Shaped ebonized base, with an ormolu 


plaque and masks. 
Height, 20 inches; width, 18 inches. 


276—Lovis QuinzE Bunwt Bracket Ciock 


Upright case, with canopied top surmounted by angel 
in gilt brass. The base is shaped and rests on four 
feet. The case, brackets and top are ornamented 
with designs in brass inlaid on tortoise-shell, and busts, 
masks, draperies and lion-heads cast and chiseled. 
Gilt dial, and white enamel chapters of shield shape; 


black numerals. 
Height, 59 inches. 


277—Buut Crock with Bracket 

French. (Louis Quinze period.) ‘Balloon-shaped case 
with a canopied top, having for a terminal the figure 
of a child. Ornamented with brass and gilt bronze 
arabesques, scrolls and an eagle. Ornamented gilt 
bronze dial with enameled hour medallions, and the 
minutes incised on the rim. ‘The bracket has gilt brass 
masks and other decoration to correspond. 


Height, 53 inches. 


_ EMPIRE AND OTHER FURNITURE 


278—Two Pititows 
Covered with yellow brocade. 


2979—Patr or CARVED AND Gitt Woop Brackets 


Louis Quinze design. 
Height, 20 inches; width, 16 inches. 


280—Parr Manocany Empire Sroots 
X-supports, and covered with yellow brocade. 
| Height, 18 inches. 


2981—CarRveEpD-woop PrprEsTAL TABLE 


Indian. Curved edge, carved and pierced. An inner 

band of carving in low relief, of elephants, birds, leaf 

sprays and grotesque figures. Six carved legs. 
Height, 20 inches; diameter, 26 inches. 


282—CaRVED AND GILT-woop CONSOLE 
Louis XV style. Shaped polyglot marble top. 
Height, 32 inches; width, 28 inches. 


283—Prano Sroo1 ; 
Walnut. Carved pillar support and base of foxes’ 
heads and paw feet. 


284—EmpPirE SEAT 
Mahogany. With side rests and without back. 


285—Mirror Sconce 
Gilded and molded frame. Brackets for three candles. 
Height, 36 inches; width, 24 inches. 


286—Teraxkwoop PEDESTAL 
Marble top. Straight legs. 


Height, 32 inches; diameter, 134, inches. 


287—Carvep AND Gitt FramEep Mirror 
Louis Seize style. Side-pieces of twisted design; the 
top and base of leaves, flowers and bow knots. (Re-_ 


paired. ) 
Height, 4 feet 2 inches. 


288—Parr or Flower STANDs 
Carved wood. The leaf-bordered bowl is supported by 
a stork and long-leaved plants. Shaped and carved 


base of rocks, flowers and plants. 
Height, 48 inches. 


289—Gun CaBINET 
Louis Seize style. Mahogany, with brass mounts. 
Shaped top, with beveled glass sides, door and shelf. 
Mirror back. Base mirror lined, with beveled glass 
front and lid. Fluted legs. 
Height, 52 inches; width, 3214 inches. 


290—Manocany Drop-Lear TABLE 
Colonial period. Square column support, with a 
shaped base and four scroll feet. 
Height, 31 inches; length, 57 inches; width, 39 inches. 


291—Larce Manocany Drop-Lear TABLE 
Colonial period. Square vase-shaped support, resting 
on a shaped base with four square bracket feet. 
Height, 25 inches; width, 354, inches; length, 50 inches. 


292—-Pair or Rosewoop anp Gitt ConsoLe TasLes 
Empire period. Folding tops, the upper half having a 
brass edge. Supports of carved and gilt caryatid and 
two turned, carved and gilded columns. The shaped 
bases rest on four legs with paw feet. 
Height, 30 inches; diameter, 36 inches. 


~293—Oxup Oak Tati Crock 


Carved with leaves and scrolls in low relief, and the 
door ornamented with a figure of the angel Gabriel. 


Height, 6 feet 11 inches. 


294—THREE-FOLD SCREEN 


Louis Quinze style. Carved-wood frame enameled 

white. The upper panels are shaped and fitted with 

beveled glass, and the lower with yellow brocade. 
Height, 6 feet; width, 4 feet. 


995—CarVED AND GILT-woop SIDE-CHAIR 


Louis Quinze style. 


296—FovurFroutp ScREEN 
Covered with red plush, fastened by brass nails. 
Height, 5 feet 8 inches; width, 6 feet. 


297—Tatu Peprstat TaBLe 


Empire period. Mahogany, circular top, with three 
plain column supports which rise from a triangular 
base on three paw feet. Ormolu mounts. 

Height, 48 inches; diameter, 19 inches. 


298—EmpirE ARMCHAIR 
Mahogany, upholstered in green plush. 


299—Pair or ARMCHAIRS 
Italian style. Tooled leather seats and backs fastened 
by large brass-headed nails. Carved arm rests, turned 
supports, legs and underbraces. 


300—Oxp EneuisH Empire Taser 
“‘Pillar-and-claw” design. One drop-leaf, which when 
raised and fitted to a companion forms a long dining- 


table. 
Height, 28 inches; length, 50 inches. 


301—Drawinc-room SviTE 
Louis Quinze style. Carved-wood, frames finished in 
white enamel. Seats and backs covered with figured, 
yellow brocade. Comprises sofa, one arm and two 
side chairs. 


302—Drawinc-R00M SUITE 
Louis Seize style. Carved and gilt frames; upholstered 
in figured yellow brocade. Comprises sofa and two 
armchairs. 


303—Manocany Empire Coucn 
Shaped back and end pieces. The lower end is hinged 


and drops down. Ormolu mounts. 


304—Manocany Empire Sora 
Curved arms, which terminate in gilt bronze dolphin- 
heads. Loose cushion seat, back and side pieces cov- 
ered with yellow brocade, with Empire designs. 
Length, 58 inches. 


305—Oxtp Oak Liprary TABLE 
The skirt carved with scrolls, dolphins and lion heads. 
Four carved bulbous supports on dolphin feet. Under- 
brace carved with scroll, egg and leaf designs. 
Height, 2 feet 7 inches; length, 4 feet 7 inches; width, 3 feet. 


306—Two Lone Narrow Srats 
Louis Seize style. Carved frames finished in light 
gray enamel. One upholstered in yellow brocade. 
Length, 5 feet and 5 feet 8 inches. 


307—Lone SrEat 
Empire. The frame of carved wood finished in gray 
enamel, and upholstered in figured yellow satin. 
Length, 9 feet 10 inches. 


308—Larcrt Manocany Bookcase 


Empire period. The upper portion has three divisions, 
with glass doors, and mounted in ormolu. The base 
has a draw-top, three drawers and three cupboards; 
and applied decoration of winged griffins, lyre and 
classic figures in ormolu. 


Height, 6 feet 10 inches; width, 5 feet 10 inches; depth, 1 foot 7 
inches. 


309—Woop Carvine 
Elk’s head in carved walnut mounted with a pair of 
ten-tine antlers of extraordinary size. 
Spread, 42 inches. 


310—MarsieE STATUE 


Life-size standing figure of Venus. At her side, dol- 
phins and cupids. (Repaired.) 
Height, 5 feet 2 inches. 


$11—Gitt Bronze FENDER 
Louis Seize. Vase-shaped ornaments at either end. 


Length, 47% inches. 


312—Empire FENDER 
Lacquered and gilded iron; with lions at either end. 


Length, 43 inches. 


313—Manocany Four-prost BrEpsTEAD 


English. Eighteenth century. (Chippendale period.) 
The posts are turned and fluted with a bulbed band 
of acanthus-leaf carving. The headboard curved, with 
scroll ends, and the top rail carved with leaf designs. 


\ 


COLOR PRINTS, ETCHINGS AND OTHER 
PICTURES 


$14—Turee Framep Prints 


After noted paintings. 


$15—PRINT | 
By F. Bartolozzi. “Hope” and “Charity.” Gilt 
frame. . 

316—PrInT 


By F. Bartolozzi. “Charity” and ‘‘Marie Antometten 
in color. Guilt frame. 


317—Two Cotorep PHoToGRAPHS 
“The Finishing Touch” and “A Kiss First.” After 


Meyer von Brunen. Gilt frames. 


318—Two CoLorEep PHOTOGRAPHS 


One after Sohn. Bronzed frames. 


319—PuHoTocGRAPH 
“Magdalene.” 


320—Co.xorep Print 
“Up the Thames.” Gilt frame. 


321—Warer Coror 
The Footman. By Thom. Gilt frame. 


322—Two EncRAvVINGS 
“Priscilla” and “Evangeline.” After Geo. H. Bough- 


ton. Guilt frames. 


323—Two ENGRAVINGS 
By Samuel Cousins. After Sir John E. Millais. 


Bronzed frames. 


324—Two ETCHINGS 
“The Foraging Party” and “The Stag.” By F. Gil- 
bert. After Rosa Bonheur. Bronzed frames. 


825—PHOTOGRAPH 


“Marie Louise.” Guilt frame. 


326—Two MezzotTints 


“Mrs. Bailey” and “The Duchess of Devonshire.”’ 
After Gainsborough. Guilt frames. 


$27—ENGRAVING 


“Princess Elizabeth.” By F. L. Atkinson. After 
Sir John E. Millais. 


328—PHOTOGRAVURE 
“Return from the Hunt.” After E. Walker. Bronzed 
frame. 


329—ENGRAVING 


“Effie Deans.” _By T. P. Barlow. After Sir John 
E. Millais. Guilt frame. 


330— ENGRAVING 
Similar to the preceding. 


331—ENGRAVING 


“Jerseys.” By A. C. Allais. After E. Douglass. 
Signed proof. Gilt frame. 


332—Two ENGRAVINGS 
“Health” and “The Dance.” By A. Lamotte. After 
Moreau. Gilt frames. 


333—ENGRAVING 
“The Horse Fair.” By Thomas Landseer. After 
Rosa Bonheur. Gilt frame. 


Wi sk< 


2 ears 


334—Two CoLorEep jeoruafrwiee 
Race Horses. Guilt frames. 


335—CoLoRED SPORTING PRINTS 


By J. Harris. “All Right.” “Pulling up to the in 
Unskid.” ‘The Olden Time.” nee Horses.” 


336—Fovur Prints mS mee 
By W. Summers. “Fox Hunting, Plate sls? 2 Fos 
Hunting, Plate 2.” . “Fox Hunting, Plate 37 “foxes 
Hunting, Plate 4.” | sa os 4 


337—CoLoRED PHoresinen 


Jerome Park. After Ed. P. San eutneres With key. 7 


OLD PORTRAITS IN OIL: 
AND OTHER PAINTINGS 


TO BE SOLD 


ON FRIDAY EVENING, JANUARY 16, 1914 


AT THE AMERICAN ART GALLERIES 


AT THE CONCLUSION OF THE SALE OF THE PAINTINGS 
BELONGING TO THE ESTATES OF B. R. REDMAN, DE: 
CEASED, AND DANIEL O’DAY, DECEASED, AND WHICH 
ARE DESCRIBED IN A SEPARATE CATALOGUE. 


UNKNOWN 


338—FISHING 
(Water Color) 


Height, 8%, inches; length, 14%, inches 
A blue stream makes a circular bend about a grassy point 
where tall trees grow and cattle graze. Off the point is a 


solitary sailboat moving slowly, and on the opposite bank 
of the stream a man is fishing. 


LAURA WOODWARD 


AMERICAN 
339—SURF 
(Water Color) 
/ 
7) $s? 5 
vA J —— Height, 11 inches; lay 6a a eae | 
DO Wend ne 


Under a pale blue sky filled with billowing white clouds a 
gray sea comes up in moderate motion and breaks in a light 
spray on gray and red-brown rocks. Here and there a wave 
reveals a pale green note. In the distance are sails. 


/ 


UNKNOWN. 


340—ALONG THE MEADOWS 


gre 


(Water Color) 


Height, 171% inches; width, 8% WUT 


In a stream bordering green meadows where cattle graze, 
with a church steeple visible beyond them, a boy is poling 
a punt or scow near a reedy bank. 


THON 7 
341—A FUNCTIONARY sy a Pe a 
un —— (Water Color) Fite y Pe 


Height, 174%, inches; width, 114% inches 


Against a blue-gray wall a satisfied man in a long-tailed scar- 
let coat brightly trimmed, and an elaborate waistcoat and 
blue breeches, with white stockings, is seen standing facing 
the front, his head turned to observe something far to his 
left. Apparently he was about to take a pinch of snuff 
when his attention was distracted. 


Signed at the lower right, THon. 


UNKNOWN 
342—_WILLOWS 
‘ <—— Height, 61% inches; length, 91, inches 
Cas 


| L“~VYVIAN 1 
Low, rounded willow trees, close-growing and of dese % 
foliage, appear in a long line near the edge of a shallow ¥iver,  __ 
against a gray sky whose distant light throws shadows at 


their bases and on the water. Elsewhere the current reflects 
the lighter clouds, and on the bank are touches of color. 


FOSTER MUNRO 


AMERICAN 


343—SUNSET 
Height, 7 inches; length, 10 inches 


/ 0 oS Fale v2) Lary etre. 
Over the horizon the sky is rose-pink and yellow Avhere sun- 
set hues have not been closed out by rapidly | De sonchine 
dark gray clouds that threaten evening rain and have already 
moistened a landscape of fields and trees. In the foreground 

| a rushing blue brook is whitened by reflections of the 

| diminishing light. 


UNKNOWN 


344—IN A SHELTERED RIVER 
6. O.< Height, 7 inches; eg 10 inches , () 

ay eee a mM / pel LG. 
Silvery-gray ona light gray day, a placid str ean resembling 
narrower parts of the Hudson among the Highlands passes 
between rounded bluffs of wild, indefinite surface, and splits 
about a double-tree that stands in the immediate foreground. 
In the distance a single boat with tall white sails moves 
serenely on the gray mirror surface. 


UNKNOWN 
345—MARINE 


tad Height, 7 inches; length, 10 aed 
/ QQ, Qh rg te 
A sketch of the blue sea, darkening in the distance, the 
foreground a mottled expanse of blue-gray reflections mingled 
with white and faint orange, under an after-sunset sky who 
gray and white clouds retain faint rose and yellow tinges. 


FOSTER MUNRO — 
AMERICAN le 


346—LANDSCAPE — 


(Oval) | | 4 


‘ 


/ / oe Height, 8, inches; width, 5%, es lon trchle 4 


A sketch of slender trees at either side, and a wild fore- 
ground of colorful vegetation on a sloping bank between 
them. Beyond are fields, and in the distance green-blue hills. 


Signed at the lower right, Foster Munro. 


UNKNOWN 
347—LANDSCAPE WITH FIGURE 
[ pia Height, 934 inches; width, 6%, inches , | / 


A narrow farm road cuts acrosseArite amongst hills and 
passes a group of slender trees with light foliage. In the 
foreground, in subdued sunlight, a young woman in a red 
waist and blue skirt is seen at the gray roadside. 


UNKNOWN 


348—LANDSCAPE 
oe Height, 7 inches; length, 10 inches 


Ca “ ee 
Shadows of summer storm-clouds gather ‘over the landscape 
and the vaporous visitors have turned the sky gray, save 
straight ahead where banks of white cloud in dense mass 
fail as yet to be obscured. A river coming through the 
center of the picture is white with their reflections and mir- 
rors the forms of trees near its banks. 


UNKNOWN 


349—THE WATERFALL 


go Height, 7 inches; length,'10 inches ; : 
a : ; Vel 
A blue lake cradled among round-topped hills oy/mountains 
lies under a gray sky filled with clouds. In the middle 
distance gray rocks of its hither shore open and its waters 
emerge in a low cascade to an outlet-brook whose banks 
in the foreground are bordered by wildflowers. 


FOSTER MUNRO 


AMERICAN 


350—LANDSCAPE 


Height, 8 inches; length, res 

2. a oe xe es WA 

: OO Wee Ze \: 
A narrow gray river threads a landscape of green fields 
and low hills. In the foreground is a bank of wild grasses, 
and beyond a line of dark trees along a fence, entering from 
the left, are sunlit acres extending down to the water, on 
which are perceived distant sail. 


Signed at the lower left, Foster Munro. 


vas ae re SO Ae P Lanrdarre os Vp 3 Me uiges 


Cc. D. S. (UNKNOWN) 


351—A PORTRAIT 


(Oval) 


/ gO Height, 13%, mea VW y 


A young woman with brown hair, pink cheeks and a ready 

smile, in the dress of the ’60’s, is standing at a portfolio of 

engravings in a room with gray walls and flowered carpet. 

She wears a dark waist, lace-trimmed and embroidered, and 

a bright blue skirt, and is seen at full length, figure facing 
_ the left and head turned to look benignly at the beholder. 


Signed at the lower left, C. D. S., Apr. ’61. 


GEORGE H. BOUGHTON, R.A., N.A. 
AMERICAN: 1834—1905 


352—WINTER 
re Height, 1434 inches; width, 11%, inches 
, Cer Gore MOoweey 

Flat fields wear a thin carpet of snow, through which sgrag- 
gly weeds and bushes shoot their withered stems. Scattered 
about the landscape are patches of leafless woods or de- 
tached trees, in the distance is a building, and in the fore- 
ground a heavy scow-like rowboat lies on the low bank of 


a shallow and partly frozen stream. 
Signed at the lower right. 


UNKNOWN 


3853—AUTUMN LANDSCAPE 


Ws 4- oe Height, 16 haga as ges Lt 


Woods in autumn colors surround a corner of a lake or pond, 
the trees growing to the water’s edge amid huge mossy 
boulders. There is a glimpse of blue sky with gray clouds, 
and in the water are varicolored reflections. 


UNKNOWN 


354—THE INUNDATION 


Diameter, 19 inc Y eran ; 
Pon mL tax 


Four brown and white shaggy-haired dogs, parent(and three 
puppies, are being borne away by a flood which has swept 
their house with it. ‘The old dog, chained to the structure, 
howls helplessly, and one pup is in the water swimming. In 
the distance appear buildings partly submerged and two 
persons in a. boat. 


DUTCH SCHOOL 
Asour 1850 


, (Copy after Jan Van Ravesteyn) 


355—DUTCH LADY WITH RUFF . 
5 ped Height, 2134 inches; width, 17}, inches 


A woman of the Low Countries, with hardy complexion and 
alert eyes, is portrayed head and shoulders, facing the left, 
three-quarters front. She is gowned in black velvet bro- 
cade, wears a deep, fluted white ruff, and her brown hair done 
in wide-expanding puffs about her ears is edged with white 
lace in the fan-shaped headdress of her period. 


SPANISH SCHOOL 
SIXTEENTH CENTURY 


356—PHILIP II 
(Panel) 


Dh A oo Height, 22%, Mg inches a ff 


ete S 


The Spanish king is pictured at half-length, facing the right, 
three-quarters front. He has the protruding chin of the 
ancient. ruling family, thin blond mustache and light beard 
of the “Van Dyck” trim, and he wears rich, fur-trimmed 
black robes and a high cylindrical cap tilted well back. His 
white ruff is short but deep, with spiral fluting. 


At the upper right is an inscription, awa’ legible, as follows: 
Philippus ilia .. . 
Filius, Hispan .... 
Indiarum, nea . . 
Ao. 1586. Aetatis’s 2)... 


ENGLISH SCHOOL 
1840—1860 


357—BRIGANDAGE 


0° Height, 2334 inches; width, 274% inches ) 


In a cave or recess of a mountainous country a traveler, 
who looks more or less like a gipsy, with his wife, daughter 
and infant, has been held up by a romantically costumed 
band, most of whom are reveling in the shadows while one 
stands guard. ‘The travelers look dejected and the daughter 
crouches behind her mother. In the distance armed men 
are seen coming in haste down a defile which is screened from 
the sight of those in the grotto. 


oO =— 


/ 


4 


AARON D. SHATTUCK, N.A. 


AMERICAN: CONTEMPORARY 


358—_LANDSCAPE—THE SUNLIT VALLEY 


Height, 24 inches; length, 36 inches 


) 
Broad, flat, green and generously wooded, ~ d by a 
meandering stream, a valley between broken hills and a chain 
of rugged mountains lies in the sunlight, mainly under a 
bright sky, the foreground in partial shadow of somber 
clouds amid which the sun is “drawing water.” On a bank 
of the foreground are numerous sheep. 


FRENCH SCHOOL 
Axsovutr 1800 


359—A YOUTH IN UNIFORM 


Z jo Height, 25 inches; width, ge Ce 
QV 


Half-length figure of a brown-haired young man with blu 
eyes and pink cheeks, whose fuzzy mustache and short side- 
burns are beginning to be noticeable. He faces slightly 
toward the left and looks at the spectator with the sugges- 
tion of a characteristic or habitual smile, and wears a dark 
uniform, green-trimmed, and with silver epaulettes, cords and 
tassels. 


MWehlAnr 


FRENCH SCHOOL — 


NINETEENTH CENTURY 


360—PORTRAIT OF A LADY 


Height, 26 inches; width, 20 inches 


ope 


Standing and facing front, with hands clasped at her waist, 
a lady with high forehead and red cheeks is seen beneath 
dull red draperies against a neutral ground. Her costume 
discloses a mingling of colors, she wears a deep ruff of 
sinuous fluting and a lace headdress with spangles or jewels. 
At the upper left is an armorial device with “Attatis sua 
30; anno 1646.” | 


UNKNOWN 
Axsout 1840 


361—PORTRAIT OF THOMAS JEFFERSON (? ) 


vy, ie Height, 26 inches; width, 21 inches” 


Head and shoulders portrait of a middle-aged mah with a 
carefully curled white wig, white stock, and dark goat with 
high collar. He is clean-shaven after the fashion of his 
day, and has placid blue eyes and a firmly pursed mouth. 
Brown background. 


By order of Administrator. 


i eee ee 3 


A MODERN COPY OF FLEMISH SCHOOL 


362—A BURGOMASTER 


| / 4 Ce. Height, 27 ae width, 21% inches oo: &y x 
of AA Lier AKI 


With head held erect and dignified aspect, a/white-ruffed 
man is depicted at half-length, turned to the/right, three- 
quarters front. He wears a long gold chain from which 
a medal is suspended, and the jeweled hand of another per- 
son appears in the picture, reaching up gently as though 
to touch the chain and present a folded petition or letter, 
while the sitter looks studiously away in the direction of the 
spectator. | 


THOMAS DOUGHTY 
AMERICAN: 1793—1856 


363—HARBOR HILLS 


9 pe eek Height, 26 inches; length, 36 pee 
CV 
Round-topped hills guard the entrance to a circular hapbor 
or inlet which indents a low and undulating country from a 
distant sea. Woods, green fields and gray and rusty rocks 
vary the land, and the water of the harbor and the open 
beyond is dotted with white sail. The whole has a Massa- 
chusetts semblance. 


Signed at the lower right, T. Dovcury, 1834. 


J. HOPE 


AMERICAN 


364—CASTLETON LAKE FROM WALLACE CLIFF, 
RUTLAND, VERMONT 


ae Height, 2934 inches; length, 40 inches 
Ae as Far he f- Veblen 

A part of a silver-gray lake, with meandering shores and a 
wooded island, is revealed in the center of a varied land- 
scape of hill and valley, wood and field, and gray, inhos- 
pitable cliffs, the woods green, the undulating fields a lighter 
green and yellow in a kindly sunlight. - Over the crest of 
gray, foreground rocks, figures are seen sauntering near 
a winding brook. | 

Signed at the lower left, J. Horr, prnx., 1857. 


ENGLISH SCHOOL 
Axsout 1800 


365—PORTRAIT OF KING GEORGE II 
(A companion to No. 366) 


50 
/ Height, 31 inches; width, 25 inches 


Head and shoulders Bee of vhe King in ermine robes 
and wearing an order suspended across his breast. He is 
a portly man with smooth face and warm complexion, and 
faces front with head turned slightly to his left. His wig 
is white, curling up at the ears. He wears a white stock 
and his garb beneath the ermine is a Pe and 
brown. 


ENGLISH SCHOOL 
Axsout 1800 


366—PORTRAIT OF THE QUEEN OF GEORGE II 


(A pendant to the foregoing) 


6 7 so » Height, 30 inches; width, 24_jinches 
ge — VY ( or-te__ 

Against a neutral ground of olive hue, the Queen, a smiling 
lady with an abundant wig of powdered curls, is shown head 
and bust, facing forward with head turned to her right. 
Her robin’s-egg blue bodice is lace-trimmed and adorned 
with pearls, over it she has a cloak of pinkish-brown lined 
with ermine, and she wears pearls about her neck, at her 
ears and in her hair, and also a tiara of diamond stars. 


FRENCH SCHOOL 


NINETEENTH CENTURY 


367—PORTRAIT OF A YOUNG WOMAN 


Height, 301, inches; width, 24 inches 


ba VY NO v2 f 
Ife f. 0 RAZEman 


Half-length portrait of a young woman in a High? Sting 
rose-colored bodice, décolleté, trimmed in blue and with lace 
flowing sleeves, who wears at the corsage a bouquet of pink 
roses and lilies of the valley. Pearls adorn her ears and 
nut-brown hair, and she wears a shallow and rakish hat of 
plaited straw, the brim faced in rose-red. Olive and brown 
background. 


FRENCH SCHOOL 


368—PORTRAIT OF A MAN IN ARMOR 
rae eee Height, 31 inches; width, inches a, 
DPSVA ’ 
A man with high forehead and bulbous features appears at 
half-length, turned to the right and facing front, wearing 
bright plate armor with golden ornamentation, under gor- 
geous robes of blue, rose and yellow, ermine-lined. 


FRENCH SCHOOL 


EIGHTEENTH CENTURY 


369—PORTRAIT OF A COURT LADY 


oe atu Height, 313/, inches; width, 0 inches 
IAAL ; 


Young, with gray wig and long curls, a large-eyed beauty of 
the days of powder is pictured at half-length in a décolleté 
waist of gray figured damask, over which is thrown a rich 
red cloak lined with pale gray-blue. 


MODERN COPY OF SPANISH SCHOOL 


870—PORTRAIT OF A LADY IN HIGH HEADDRESS 


Poy ¥ Height, 32 inches; width, 244% inches wth 
4 SS / i 


Three-quarter length portrait of a woman in a black velvet 
gown, with an elaborate lace collar, jeweled necklace, and 
an enormous headdress of conical build, holding in her ; 
hands a clasped prayer-book or album. 


ow © hl 
oe < 
ej 


cx) Height, 3334, inches; width, /201 inches // 
BPS e g ) Bs 


UNKNOWN MODERN COPY 


S7T1_FEMALE PORTRAIT 


3 ee ee 32 inches; width, 2434 inches 
Wyn «Wee 


Three-quarter length figure of a young woman of Spanish 
or Italian aspect, in a black brocade dress with golden- 
yellow stomacher, and revers with golden and floral em- 
broidery. She has powdered hair and a cap in agreement 
with the revers, and faces the onlooker, holding a green- 


bound book. 


FRENCH SCHOOL 


EIGHTEENTH CENTURY 


872—PORTRAIT OF A NOBLEMAN 
1 A is meet Height, 32 inches; cea inches 


ee 
Half-length figure of a young man with large blue ey¢s ; and 
pink cheeks, wearing a gray wig, and clad in a gold-em- 
broidered scarlet coat over rich blue and black apparel 
with more embroidered ornamentation. 


ENGLISH SCHOOL 


EIGHTEENTH CENTURY 


373—PORTRAIT OF A MAN WITH SNUFFBOX 


With an affable smile of anticipatory pleasure a large man 
of ripe years has just dipped into his open snuftbox and 
holds his hand with the “pinch” poised before his breast, 
as he looks contemplatively and serenely toward the ob- 
server. He is seated, seen at three-quarter length, with left 
arm resting on a small table. He wears a waistcoat of black 
velvet and a.gray-blue coat. 


UNKNOWN MODERN COPY 


374—PORTRAIT OF A LADY 
(Panel) 


g yy aoe Height, 341/, inches; width, 241, inches 


A dignified woman in youthful maturity, with reddish-blond 
hair, stands facing the spectator, her head turned a little 
toward her right shoulder; she is seen at three-quarter 
length. Her black gown has fore-sleeves of reddish-brown 
brocade, and she wears a headdress and high lace collar of 
pre-Elizabethan suggestion. Her jeweled hands are folded 
over her waist and she has a long linked necklace. At the 
top of the panel at either hand are coats-of-arms. 


A MODERN COPY OF OLD SPANISH SCHOOL 


375—PORTRAIT OF A YOUNG WOMAN 


/ &U Height, 341, inches; width, 27 inches i, 
aK 


Seated and appearing at three-quarter length, turned toward 
the left but facing the spectator is a yellow-haired and pink- 
cheeked young woman with a yellow metal Dutch headdress, 
and gowned in red, yellow, white and green of Spanish 
luxuriance. 


: 
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; 


eat ees thee > 


ENGLISH SCHOOL 


EIGHTEENTH CENTURY 


376—A LADY IN GRAY AND BLACK 


ra Height, 34 inches; width, pore ae 
Stout and genial, past her youth but perennially merry, a 
blond matron in a gray brocade waist with elbow sleeves and 
, black satin skirt is seated, seen at three-quarter length, ob- 
| serving the beholder steadily with her happy, quizzical smile. 
She wears a white embroidered kerchief about her shoulders 
and an ornate gray mob cap trimmed with white lace, and 
clasps a small leather-bound gilt-edged volume. 


CZ 


FLEMISH SCHOOL 


EaGHTEENTH CENTURY 


3877—_MALE PORTRAIT 
(Panel) 


G Y a Height, 354% inches; width, 49 ohes / 
Three-quarter length portrait of a tall, lean man with large 
blue eyes and sandy hair, mustache and beard, directly 
painted. He is standing turned somewhat toward the right 
before a low table and faces front, red-lined tan gloves in 
one hand resting on his hip, the other hand holding his 
sword. His apparel is black and he wears a large ruff with 
flowing folds. In the upper corners of the panel are armorial 
bearings; at the lower right is painted: “Attatis sue 33.” 


A. R. VERON 


FrenNcH 


318—LE CHATEAU DU NID DE L’AIGLE, FON- ~ 
T AINEBLEAU . a a 


eae Height, 311, inches; length, 46 inches on ee 

oe (OL vee ae 
On the left and in the foreground is a broad plain, thickly __ 
grown with rich grass and wild field flowers, now sharing in 
autumn colors with the tall thick trees of the forest on the __ 
right. On the plain are many cattle of different colors, — 
mainly seen along the edge of the wood, and near the fore 
ground are their peasant attendants. , ; 


Signed at bottom, to right of center, A. R. Veron, 1856. 


On the stretcher is written, “Fontainebleau, October, 1856; le Chateau — 
du nid de Vaigle”; and records that the painting was shown at the Paris 
Exposition of 1857 and the Rouen Exposition of 1859, and that it re- 
ceived silver medals. 


“EARLY FRENCH SCHOOL 
(A Modern Copy) 


379—PORTRAIT OF A PRINCESS 

Height, 35 inches; width, 245, inches 

Une dame trés chic, with long-pointed tight bodice and 
narrow waist, décolleté, and with a bright blue bow at her 
throat clasped with a red brooch, is depicted at three-quarter 
length, facing the observer. Her richly worked and jeweled 
gown is of lace over rose-pink, and she wears a scarlet cloak 
with coronets embroidered in gold and ermine lining. Her 
curled and powdered wig is decked with flower sprays. 


nd 
ji Rest 
La aes 


i t ad de 


FLEMISH SCHOOL 


EIGHTEENTH CENTURY 


3880—PORTRAIT OF A NOBLEMAN WITH SWORD 


(Panel) 


rode Y eee Height, 39 inches; width, 35 ae oe 


A haughty young man with cold, immobile but. sensuous face 
stands with one hand on his hip, the other resting on an 
olive-colored table, and is seen at three-quarter length. He 
wears an elaborate corselet, a Medicean ruff and a dark 
shoulder cape, and pearl-drop earrings, the hilt of his sword 
appearing below his cape. Dark olive background and in 
the upper left corner a coat-of-arms. 


LOUIS R. MIGNOT, N.A. 


1831—1870 


} . 
381—LANDSCAPE 


Height 36 inches; length, 493/, inches 
SO ’ 
Sa oe Veale 


A castellated fortress on a tall brown cliff at the left com- 
mands a broad valley of diversified surface. Red-brown and 
gray and yellow clouds lie along the horizon, and higher up 
in a sky paling in a yellowish-green light. 


EMIL FINKERBAGH 


Earty AMERICAN 


382—MOONLIGHT RIVER VIEW 


Be Height, 3934 inches; length, 52 inches 
a WN. Ng 
Along the foreground and on the right a broad river is dark 
green, with various light reflections. Its farther shore is 
partly wooded, incomplete buildings appear there, and boats 
below them on which are figures. In the distance a town 
is seen and the full moon is coming up over the hills, golden- 
yellow in a blue sky with many clouds overhead. : 


Signed at the lower right, Emi, Finxersacu, New York, 1853. : 


UNKNOWN 
383—RAPIDS 


. y wy, 3C Height, 38 inches; length, 62 inches : 
nee : VA ee 
A broad river, very likely the St. Lawrence, rushes on its 
course in foaming rapids which almost fill the picture. On 
the shore at the left are high American frame buildings, and 
toward the right are numerous small islands covered thickly 
with trees. Pale blue sky with gray and white cloud billows. 


Signed at the lower right. 


ATTRIBUTED TO BRONZINO 


3884—A FAMILY GROUP 


Height, 45 inches; width, 401, inches 
ef ee oe Spi Ire p> 
Standing in dignity of paternal pride and station, a full- 
bearded man of the South European nobility is portrayed 
between his two bright-faced small sons, one of them stand- 
ing, one seated at a table with olive-covering on which a 
pet dog squats on its haunches. All three are in brocades 
and wear ornate lace collars and cuffs, and finger-rings. 
Warm, subdued tones; neutral background. (Canvas split.) 


UNKNOWN 
385—-LANDSCAPE 


je Height, 40 inches; length, 5134 inches - + 
os Vy Vr LLCGED, 
A broad valley is pictured among forbidding mountains, a 
stream winding an irregular way through it and in the fore- 
ground passing down a slight fall. On the right a man and 
a woman seated on the grass, with a red sun umbrella, are 
conversing, and ahead of them cattle wander in the sun- 
shine toward gray and brown buildings which stand in the 

shelter of a group of tall conifers. 


F. N. BREDT 


GERMAN 


386—DREAM OF THE SOUTHLAND 


aye Height, 46 inches; lengthy 63%, inche 
SS ne Ve 


In a sunny sunken garden where venerable cypresses gyOw, 
and shrubs and vines blossom in purple and yellow, a lan- 
guorous beauty reposes in seductive attitude on a violet 
cushion, a dark-eyed musical sister seated on a well-curb- 
beside her. <A black-skinned servant is fetching coffee, and 
on a terrace near a low gray building with green tiled roof 
other embodiments of fair frailty are seen against a palm 
tree. 

Signed at the lower left, F. N. Brenpz, MuncuHen. 


MODERN COPY AFTER GUIDO RENI 


387—_THE NATIVITY 


ge Height, 56 inches; width, 3334, inches ~ 

The Child, lying nude on a white blanket over His bed of 
straw, is surrounded by shepherds in marveling adoration, 
their faces illumined by the brilliant light radiating from 
His lowly cradle. Their cloaks are brown, yellow, lavender 
and red. The Virgin, in rose-pink and blue-green, as a simple 
peasant maiden, raises the corners of the cradle-blanket and 
shares in the adoring tribute. Overhead, cherubim flutter. 


FLEMISH SCHOOL 
Axsout 1560 


3$88—LIFE-SIZE MALE PORTRAIT 


ee Height, 75 inches; Ne His £4 


Full-length portrait of a brown-haired young ma 
aquiline nose and the shadow of a mustache, mild blue eyes 
and sharp-oval face, standing and facing the right, three- 
quarters front. He is in a sixteenth-century gray silk-bro- 
cade costume, with fluffy lace ruff, white stockings and 
slashed shoes, and he holds gloves and hat, while a dark 
cloak hangs carelessly on one shoulder. At the upper left 
is a coat-of-arms. Dark neutral background. 


FLEMISH SCHOOL 


SEVENTEENTH CENTURY 


3889—LORD ST. MAUR AS A CRUSADER 


Z ye Height, 791% inches; width, 42 inches " 2 


Full-length, life-size portrait of a serious man, in chain and / 
plate armor, helmet with vizor raised, wearing his spurs and | 
carrying the crusader’s sword. Over his armor is a rich 
olive-green cloak, ermine-lined. He faces somewhat toward 
the right and looks thoughtfully downward. Neutral back- 


ground of olive tones. 


AMERICAN ART ASSOCIATION, 


MANAGERS. 
THOMAS E. KIRBY, 


AUCTIONEER. 


SEARCH INSTITUT 


Til il ITM il 


3125 01662 974 


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